The raised fo'c's'l', three very tall stacks, turret locations, and sweep of the stern unambiguously identify this vessel as just one ship and one ship only, and by now I shouldn't have to tell you its name, but of course it is the BROOKLYN. Used in a memorable scene by German Army Colonel Von Roerkel (Antoine Saint-John).The Colonel is on horseback with a sabre in one hand and the Mauser C96 "Broomhandle" in the other. These latter two locations would each re-appear in Milius' 1982 film Conan the Barbarian. Security is incredibly tight and the task seems an impossible one. The lives of some California surfers from the early 1960s to the 1970s. Undersecretary of the Navy Theodore Roosevelt resigns to form a volunteer militia unit called "The Rough Riders" to fight in the Spanish-American War. Jerome's company of Marines, supported by a detachment of sailors, march through the streets of Tangier, much to the surprise of the European legations, whose forces are with the Sultan at distant Fez. My hat's still off to the Art Department for taking that much trouble to get something so easy to disregard so right.Anyway, this film which has just about everything this writer could want in an adventure movie: not only Theodore Roosevelt and a lot of Marines at their most virile kick-butt best, but expansive Americanism at its optimistic best ("we have men who can do anything - we have men who can FLY"), Sean Connery as a highly appealing charismatic leader (who at one point very plausibly takes out about ten scum-bucket thug types with aplomb John Wayne could envy), a long cavalry sequence with seemingly hundreds of riders culminating in a good old-fashioned saber charge, a "kid" angle (which reminds you how to look at this thing, if you ask me), a certain amount of witty repartee, healthy doses of chivalry throughout, a romantic aspect that is not wholly gratuitous, and not the least, a very feminine and attractive heroine with enough Yankee grit and determination to satisfy Katharine Hepburn. Made in Panavision and Metrocolor and produced by Herb Jaffe and Phil Rawlins, the film was loosely based on the real-life Perdicaris incident of 1904. (At the time Morocco, along with Abyssinia, were the only two independent states in Africa.) I like grizzly bears a lot more than most people ... You can take the [film's] politics to be anyway you want, for or against the United States".[7]. At the beginning of the 20th century an American woman is abducted in Morocco by Berbers. A federal marshal stationed at a mining colony on the Jupiter moon of Io uncovers a drug-smuggling conspiracy. Released at probably the lowest point in American national prestige, this apologia for imperial intervention must have seemed jarring to audiences. (1975). The Wind and the Lion is one of my favorite movies from my college days, when they set up a 16mm projector in the union building. Milius wanted Orson Welles to play newspaper magnate "Charles Foster Kane" (the name of his character in Citizen Kane) in the film, but the studio would not let him as they were worried about being sued by RKO. Segaloff, Nat, "John Milius: The Good Fights", "The 48th Academy Awards (1976) Nominees and Winners", Official entry of the German edition, listing the various soundtracks and subtitles the DVD comes with, "DVD Savant Blu-ray Review: The Wind and the Lion", https://en.wikipedia.org/w/index.php?title=The_Wind_and_the_Lion&oldid=1019499916, Cultural depictions of Theodore Roosevelt, Films about the United States Marine Corps, Articles with unsourced statements from April 2018, Creative Commons Attribution-ShareAlike License, This page was last edited on 23 April 2021, at 17:43. The attempts to free her range from diplomatic pressure to military intervention. I think adventure movies deliberately ignore deeper issues raised by the events they treat that could be expected to lead to emotional conflict in the minds of the audience. "It's very well put in the grizzly bear. He greatly admired Connery's performance, whereas he felt Bergen's acting range was extremely limited, and she was only concerned with looking good.[1]. I don't think Americans are necessarily civilised or too calm and rational about their approach to life. The special effects supervisor Alex Weldon appears as Roosevelt's Secretary of War, Elihu Root, and Milius himself cameos as the one-armed German officer who gives the Sultan his Maxim gun to test-fire ("Herr Sultan is displeased?"). Most noticeably, the film inherits a cavalier attitude towards imperialism, foreign policy, and military intervention, attitudes which were relatively unpopular[citation needed] in 1975 America at the end of the Vietnam War. 'Running W's' and other tripwires were once a common practice in old Hollywood, and Milius' picture bore the … Milius' inspiration had come from reading an article by Barbara W. Tuchman about the Perdicaris incident in American Heritage magazine,[4] and he found the story fascinating; he decided to adapt it into a screenplay once he figured how to make the story more cinematic, by making Ion Perdicaris a woman, Eden Pedecaris. Share. Autoplay has been paused. Roosevelt finds himself gaining more and more respect for Raisuli, thinking him an honorable man who just happens to be his enemy. A three-way battle results, in which the Berbers and Americans team up to defeat the Germans and their Moroccan allies, rescuing Raisuli in the process. Follows the rise and fall of rebel leader in a post-apocalyptic world. The attempts to free her range from diplomatic pressure to military intervention. And of course the children would look at such a character as being even greater than Sean Connery – this old man would be the greatest old thing they'd ever seen, and they'd have great admiration for their grandmother for standing up to him, the way old people can snipe at each other and love each other because they have the common bond of age. The Wind and the Lion is similar to these films: Conan the Barbarian (1982 film), The Life and Times of Judge Roy Bean, Red Dawn and more. Milius says he originally wanted Mrs. Pedecaris to be 55 or 60 and played by Katharine Hepburn with the children being her grandchildren, and the Berber would be a similar age. They decide to engage in "military intervention" to force a negotiation by seizing the actual seat of power, the Bashaw's palace in Tangier. On Rotten Tomatoes the film has an approval rating of 63% based on reviews from 16 critics. 64 of 76 people found this review helpful. Wind and the Lion, The (DVD) Academy Award winner Sean Connery stars with Candice Bergen in this swashbuckling epic of an unstoppable desert fighter who collides with an immovable American woman--The Wind and the Lion. While it does not allow the beauty of the thing to be spoiled with obsessive accuracy, it features loving attention to period details, impressive set-piece action sequences, memorable acting and dialogue, and a … [14] Additionally, the Writers Guild of America nominated Milius' screenplay. Robin Hood, aging none too gracefully, returns exhausted from the Crusades to woo and win Maid Marian one last time. More to the point, consideration of the depiction by anyone with a relevant photograph or two and basic sensitization to ship identification issues reveals that the ship pictured isn't the OLYMPIA. He based the film's cinematography, use of desert landscapes, and filming of battle scenes on David Lean's 1962 film Lawrence of Arabia, also using many of the same sets, including the "Aqaba" set which had been constructed for Lean's film, here serving as the setting for the final, three-way battle between the Berbers, the Europeans and their Moroccan allies, and the Americans. Marines storm the palace ("The Wind and the Lion", 1975) Watch; Next video playing soon. Subtitles available in English, French, and Spanish. After reviewing others' comments I have to say that I agree with most of them, even to some degree with some of the seemingly disparaging ones. Thus, in the typical adventure movie there are well-defined good guys and bad guys and motivations and justifications are crystal-clear. Anonymous. "Her husband has died years ago, she's a stern, rich old woman, and she has a last romantic fling with this stern, rich old Berber, the Sultan of the mountains, who can't really do all the things he used to do but pulls it together one more time to save her from the Blue People. The cast was absolutely awesome, but the best part is the Marines double-timing to the rescue with their spanking new 30-40 Krags and awesome new technology – a carriage mounted machine gun. The Bashaw's palace was the Palace of the Americas in Seville, having appeared in both Lawrence of Arabia and Anthony Mann's 1961 film El Cid. Two British former soldiers decide to set themselves up as Kings in Kafiristan, a land where no white man has set foot since Alexander the Great. An Arab chief triggers an international incident when he kidnaps an American widow and her children. At the beginning of the 20th century an American woman is abducted in Morocco by Berbers. Essay The sea breezes the tropical languor that old susegad had conspired to make Goa an oriental fleshpot. This is obviously a matte painting inserted using special effects techniques because probably the only ship still existing in the world that looks anything like that is a stationary floating museum, the cruiser USS OLYMPIA of Spanish-American War fame, and it would not be available unless the producer was willing to shoot that scene in downtown Philadelphia. Handguns C96 Mauser Broomhandle. Anthony Quinn was also considered for Raisuli. Thus, if the producer had tried to make the plot of this film completely accurate he would have wound up with more of a drama than an adventure film, and you would have had a completely different kind of movie all together. The Wind and the Lion is well written and superbly acted. The following weapons were used in the film The Wind and the Lion:. First, I would bet money that the extras in the scene where the Marines land and storm the palace were real Unites States Marines specifically recruited for the part - note the haircuts, the prolonged double-timing in heavy uniforms, the fact that everybody stays in step, the shouted close-order drill commands, and just their general bearing or attitude (if you've ever spent time with Marines or seen one of their little public relations demonstrations at a Marine Corps base you'll know what I mean). Maybe it's better that you make concessions". The Marines and sailors used in the Tangier attack scene were Spanish special forces troops, along with a handful of U. S. Marine Corps and United States Navy personnel from the base in Rota De La Frontera, who marched with precision through the streets of Seville and Almería en route to the Bashaw's palace. 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